He saves his best beats for himself, from the ethereal and speaker-slamming J. Cash is one of the best producers on the planet, a master of flipping a familiar sample into something fresh and unrecognizable. So yes, Cash and Chow are sex-crazed to the point of obsession, but they’re making some genuinely game-changing shit. Nearly 40 years later, NYC duo Cash Cobain and Chow Lee are bravely following in 2 Live Crew’s footsteps, providing a fresh spin on the dominant dance music of their region (in this case, Jersey/Philly club) to further their noble mission to make the horniest music of all time. Luther Campbell and crew were so gleefully horned-up that they changed America’s copyright laws forever. Cash Cobain & Chow Lee - 2 SLIZZY 2 SEXY (Deluxe): 2 Live Crew changed the game in the late 80s by combining the compulsively danceable Miami bass sound with some of the raunchiest songs known to man.
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They bust the door down early on the dissociative anthem “Hyacinth,” and put a bow on the proceedings with the achingly raw “Monoculture”: “I’M FINALLY FREE TO LET GO.”Ĩ. My favorite moments on New Preoccupations happen when the band grows tired of midtempo rockers and goes balls to the wall. Producer (and Memory Music label head) Will Yip keeps things interesting, finding a guitar sound that would’ve fit nicely into WPLJ’s Hot Adult Contemporary lineup in the mid-90s and adding contemporary touches like programmed drums and rolling pianos. But New Preoccupations won me over with its aching sincerity, its full-throated realization of the melancholy behind mundane moments (“I was listening to the Dirty Projectors in a Volvo by the freeway funeral pyre,” singer Sean Gill exhorts in highlight track “Colorglut”), and some powerhouse performances by the band. If you told the 2005 version of me that one of my favorite albums of 2022 would crib from bands like Snow Patrol or Relient K, I would’ve told you to buzz off before cranking up the volume on “Stay Fly” by Three 6 Mafia. Caracara - New Preoccupations: Philadelphia emo band Caracara isn’t afraid to mine the “embarrassing” sounds of the past in its search for catharsis. This is pop music filtered through a prism, separating the traditional elements of sound into their essences and reconstituting it into something entirely new.ĩ. The song that best represents the album’s messy ideal is “Save The Premonition,” a one-minute forty-six second sprint through moments of harmonic inspiration, never settling down for more than a measure at a time.įrom my description, it might seem like Flaming Swords is a difficult listen, but though it takes some time to get used to the hyperactivity, these songs are targeted missiles aimed directly towards the pleasure centers of the brain, with sonorous saxophones and liquid keyboards augmenting the dulcet Francophone tones of lead singer Ma Clément. Nearly each one of these 18 songs has a moment of unexpected virtuosity, whether in the composition or the performance. Fievel Is Glauque songwriter/bandleader Zach Phillips aims for sensory overload, cramming complex chords, modal key changes, free jazz freakouts, and hyperactive drum beats into his miniature prog-pop masterpieces. Fievel Is Glauque - Flaming Swords : Perhaps no album released in 2022 was as jam-packed with seemingly contradictory musical ideas as Flaming Swords.
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But unranked lists are for cowards!Ĭheck the bottom for the full list and a Spotify playlist with selections from every album.ġ0.
Here are my favorite albums from a very deep year–there’s probably a smaller gap between my #1 and my #25 than ever before. Keeping up with everything can be overwhelming, but it’s so so rewarding.
There’s nothing I get more pleasure from these days than exploring the vast universe of new music that we are so lucky to be able to access with just a few keystrokes.
The story of the 2020s–the years keep getting harder, the music keeps getting better.
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